Tuesday, January 31, 2017


Let's get back to editing, and this one's an easy one. To start, every paragraph, every sentence, every WORD in your story needs to serve a purpose. One as grand as revealing a pivotal plot point, as lovely as describing a room, or as simple as giving a reader pause.

Everything else? Delete.

This is one reason agents, editors, most people are so anti-adverb. They're like the carbs of the writing world. Sure, they taste great. But they're empty calories. Filler.

Case in point.
He eyed them circumspectly.
What does that mean? Can you tell me what that looks like? And if you can, do that instead of copping out with an adverb.

He violently attacked her. 
Really? Because when I attack people, I usually do it passively.

In addition to adverbs, we also have unnecessary prepositional phrases. Sure, you might need to know the cat was in the closet. Or the laundry was on the stairs.

But do you need to know...
Her heart thrummed in her chest.
Really? Not her elbow?

They dug the grave in the ground.
Oh, thanks for clearing that up. Most people dig graves in the middle of their living rooms.

He inhaled through his nose.
A tricky one, because yes, he could inhale through his mouth. We have two orifices for that just in case one gets blocked. But do we really need to know that? Is it integral to your story, or the character that we know, without a doubt he took that breath through his nose?

I don't need to read your work to say, "no."

I'm not trying to shame anyone for this. We all do it. The point is, before your draft goes out on submission or even worse, to print, you should give it one last read to delete all of the unnecessary amplifiers. It's also a super-easy way to cut down word count if you're running high.

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